InCounter ArtsbyReece BeckettReview: ‘The Holdovers’ is An Instant ClassicAlexander Payne hits beat-for-beat perfection with his melancholic comedy-dramaJan 25, 202413Jan 25, 202413
InCounter ArtsbyReece BeckettReview: ‘Election’ Introduces the World to Alexander Payne’s Comedic BrilliancePayne’s second feature film was a comedy hit for all the right reasonsApr 20, 2024Apr 20, 2024
InCounter ArtsbyReece BeckettReview: ‘About Schmidt’ is as Funny as it is SombreAlexander Payne’s dark comedy sees Jack Nicholson take on loss and retirementApr 27, 202412Apr 27, 202412
InCounter ArtsbyReece BeckettReview: ‘Sideways’ Beautifully Humanises the HurtAlexander Payne’s 2004 comedy is sheer brillianceMay 4, 20242May 4, 20242
InCounter ArtsbyReece BeckettReview: ‘The Descendants’ is a Refreshing, Poignant ComedyAlexander Payne’s Hawaiian dramedy is as laugh-out-loud funny as it is surprisingly emotionalMay 11, 20241May 11, 20241
InCounter ArtsbyReece BeckettReview: ‘Nebraska’ is, Somehow, Alexander Payne’s Most Cynical FilmPayne’s 2013 drama is bleak but ideologically muddledMay 18, 20248May 18, 20248
InCounter ArtsbyReece BeckettReview: Exploring ‘Downsizing’, Alexander Payne’s Strangest and Messiest FilmPayne let his ambition get the best of him with his 2017 comedy, but does the film hold up today?May 25, 20242May 25, 20242
InCounter ArtsbyReece BeckettRanking the Films of Alexander PayneConcluding another director retrospective, the fun wayJun 1, 20244Jun 1, 20244
InCounter ArtsbyReece BeckettReview: ‘I Now Pronounce You Chuck & Larry’ Remains a Troublesome ComedyAdam Sandler and Kevin James’ comedy about a straight couple masquerading as queer is frequently problematicJul 1, 202413Jul 1, 202413