InThe CollectorbyReece BeckettReview: Megan Thee Stallion’s ‘Mamushi’ Music Video Reveals Her Artistic IntelligenceA requested review via Jess the Avocado, a one off music video analysis!Aug 11, 20245Aug 11, 20245
InSeroxcat’s SalonbyReece BeckettRevisiting Loyle Carner’s ‘hugo’: The Sound of ForgivenessCarner’s 2022 album on fatherhood and forgiveness is one of the most intimate records in recent memoryMay 1, 20242May 1, 20242
InCounter ArtsbyReece BeckettAnalysing Squid’s ‘O Monolith’, The Best Album of 2023Returning to Squid’s dizzying, historically-minded post-punk masterpieceMar 7, 2024Mar 7, 2024
InSeroxcat’s SalonbyReece BeckettNot All Grime Music Glorifies Gang CultureAnd if you think it does, you’re part of the problemFeb 16, 20241Feb 16, 20241
InSeroxcat’s SalonbyReece BeckettHow U.K. Grime Music Has Fought Against Contemporary British PoliticsUsing Dan Hancox’s ‘Inner City Pressure’ to discuss Grime music’s position within the U.K.Jan 19, 20248Jan 19, 20248
InCounter ArtsbyReece BeckettThe Best Music of 2023List two summarising 2023, this time focused on my favourite albums from last yearJan 4, 2024Jan 4, 2024
InCounter ArtsbyReece BeckettReview: No Kite’s ‘Everything That Has Ever Happened’ is an Incredible, Endlessly Ambitious Debut…No Kite’s adventure through an industrial world is daring, cohesive and incredibly emotionalJan 3, 2024Jan 3, 2024
InCounter ArtsbyReece BeckettSingle Review: AKAI SOLO x Bane Capital — ‘GOOD FOOTAGE’Rising abstract hip-hop star dances atop gorgeous production from the Toronto duoOct 20, 2023Oct 20, 2023
InCounter ArtsbyReece BeckettReview: MITYA — TUUMITYA’s debut LP, TUU, is energetic and retro, but becomes predictableSep 22, 2023Sep 22, 2023
Reece BeckettSingle Review: Rome Streetz ft. Joey Bada$$ — ‘Fire At Ya Idle Mind’Griselda artist Rome Streetz gets gritty with Joey Bada$$Sep 20, 2023Sep 20, 2023
InSongstoriesbyReece Beckett5 Bleak Albums That Make Me HappyIt sounds oxymoronic, but sometimes you just need to feel worse to feel better.Oct 21, 20213Oct 21, 20213
InSongstoriesbyReece BeckettReview: El Dusty — Sombrero GalaxyEl Dusty’s new record is short and sweet, but leaves something more to be desired.Apr 8, 2022Apr 8, 2022
InSongstoriesbyReece BeckettEP Review: Burning Paper — Manonmars, Bogues, Ishan Sound & NeekLooking at a phenomenal collaborative EP from the U.K. artists listed above.Apr 2, 2022Apr 2, 2022
InSongstoriesbyReece BeckettReview: Clara Engel — Their Invisible HandsTheir Invisible Hands is an upcoming record from the Toronto-based folk musician Clara Angel, a fascinating album that brings together…Mar 1, 20221Mar 1, 20221
InSongstoriesbyReece BeckettReview: 10–19 & The Number Men — RadarA brief review of the new single from experimental indie group 10–19 & the Number Men.Feb 25, 2022Feb 25, 2022
InSongstoriesbyReece BeckettHomeboy Sandman — There in Spirit ReviewA review of New York rapper Homeboy Sandman’s latest underground hip-hop record.Feb 4, 2022Feb 4, 2022
InSongstoriesbyReece BeckettByows, Bars and Beats — Unknown T’s electrifying album ADOLESCENCE.Praise for an underrated Drill record released last year.Jan 27, 20221Jan 27, 20221
InSongstoriesbyReece BeckettReappraising Jesus is King— Kanye West’s most maligned album.On the transitory Ye album, Jesus is King, its position in his discography, its musical excellence and its importance.Jan 24, 20222Jan 24, 20222
Reece BeckettBane Capital x Koncept Jack$on — Good Product ReviewLooking at the collaborative album from the producing duo and the Virginia MC, Good Product, a concise collection of rap hits with…Jan 21, 2022Jan 21, 2022
InSongstoriesbyReece BeckettKing Krule’s Forgotten MasterpieceOn ‘Little Wild’, the bonus track only included on the Japanese release of Krule’s 6 Feet Beneath the Moon (and the themes of the record…Jan 21, 20221Jan 21, 20221