PinnedWhere can my other work be found?A collection of my pieces written outside of Medium (Most recent to oldest).Oct 1, 20225Oct 1, 20225
Published inCounter ArtsReview: ‘Babygirl’ — A Smart, Sad, Sensual DramaThe new erotic thriller from Halina Reijn is daring and surprisingly deep1d ago11d ago1
Published inCounter ArtsReview: ‘The Bikeriders’ — Inconsistent Biker Drama DisappointsThe latest film from lowkey auteur Jeff Nichols can’t seem to find its purpose4d ago14d ago1
Published inCounter ArtsReview: ‘The Two Faces of January’ is an Engaging Thriller Lacking In ComplexityHossein Amini makes a fun romp out of Patricia Highsmith’s novel, but fails to create a truly captivating tale6d ago26d ago2
Published inCounter ArtsReview: ‘Chocolat’ is a Poignant Look at French Colonial AfricaThe debut feature of Claire Denis is visually arresting, well acted and (ironically) tough to stomachJan 920Jan 920
Published inCounter ArtsThe Best of British Cinema: ‘Following’ (1998)Christopher Nolan’s slippery neo-noir debut captures his huge potential in its stylistic flourishes and intelligent formJan 615Jan 615
Published inCounter ArtsReview: Roland Emmerich’s ‘Godzilla’ is Absolutely AbysmalThe ‘Independence Day’ director fails miserably to bring the monster movie to lifeJan 45Jan 45
Published inCounter ArtsReview: ‘Sisu’ is a Badass Breath of Fresh AirJalmari Helander strikes gold with his bombastic, cartoonish action thrill rideJan 28Jan 28