PinnedWhere can my other work be found?A collection of my pieces written outside of Medium (Most recent to oldest).Oct 1, 2022A response icon6Oct 1, 2022A response icon6
Published inCounter ArtsReview: ‘Shadows and Fog’ — Woody Allen’s Love Letter to Franz Kafka and Film NoirAllen’s star-studded 1991 film borrows inspiration from F. W. Murnau and Alfred Hitchcock among others1d agoA response icon21d agoA response icon2
Published inCounter ArtsReview: ‘Ballad of a Small Player’ — Enticing, Vivid Gambling ThrillerColin Farrell is electrifying in Edward Berger’s latest, a thoroughly enjoyable high-stakes thriller3d agoA response icon23d agoA response icon2
Published inCounter ArtsReview: ‘Poor Things’ Boldly Enters the Weird, Whimsical World of Bella BaxterYorgos Lanthimos’ 2023 comedy is provocative and daring, even if on-the-nose6d agoA response icon26d agoA response icon2
Published inCounter ArtsReview: ‘No Man of God’ — True Crime Almost Stripped of SensationalismAmber Sealey’s depiction of Ted Bundy’s discussions with the FBI shows a different side of the true crime genreNov 1A response icon2Nov 1A response icon2
Published inCounter ArtsReview: Is ‘Halloween H20’ the Blueprint for the Legacy Sequel?Steve Miner’s late ’90s slasher is more indebted to Wes Craven than John Carpenter’s originalOct 30A response icon2Oct 30A response icon2
Published inCounter ArtsThe Best of British Cinema: ‘A Warning to The Curious’ (1972)Lawrence Gordon Clark’s ‘Ghost Story for Christmas’ is Unexpectedly PetrifyingOct 27A response icon1Oct 27A response icon1