PinnedWhere can my other work be found?A collection of my pieces written outside of Medium (Most recent to oldest).Oct 1, 2022A response icon6Oct 1, 2022A response icon6
Published inCounter ArtsReview: ‘Final Destination Bloodlines’ — Horror At Its Most CynicalHow successful is the latest studio effort to re-energise a horror franchise?1d agoA response icon11d agoA response icon1
Published inCounter ArtsReview: ‘The Surfer’ — Messy Nicolas Cage Madness Can’t Stick the LandingWant to see Nic Cage attack a rat and drink a puddle? See this! Want to see a balanced, mature film? Don’t!3d agoA response icon103d agoA response icon10
Published inCounter ArtsReview: ‘Warfare’ is a Harrowing Account of the Reality of WarRay Mendoza and Alex Garland aim to recreate reality through cinema. But is such a thing possible?5d ago5d ago
Published inCounter ArtsThe Best of British Cinema: ‘Educating Rita’ (1983)Lewis Gilbert’s adaptation of Willy Russell’s romantic comedy is warm, frank and thoughtfulMay 12A response icon13May 12A response icon13
Published inCounter ArtsReview: ‘Celebrity’ — Woody Allen’s Simpering Cinema SatireThe New York-ian director takes jabs at the film industry, seemingly forgetting his own role within itMay 10A response icon12May 10A response icon12
Published inCounter ArtsReview: ‘Bob le Flambeur’ — Highly Influential, Enticing Heist ClassicJean-Pierre Melville’s 1956 crime film likely led to your heist favouritesMay 8A response icon3May 8A response icon3
Published inCounter ArtsReview: ‘Hounds of Love’ Mistakes Being Explicit for Being EffectiveBen Young’s 2016 true-story crime horror, unfortunately, prioritises perversion over its themes and charactersMay 5A response icon3May 5A response icon3